Cheeky cover of a song by The Unwinding Hours. Single take, no edits. Enjoy!

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thelisteningroom:

imageWe’re very excited to announce that The Listening Room has a new home! As of Sunday 11th May we will be running your favourite open-mic-without-a-mic from The White Horse pub on The Royal Mile. And to celebrate this momentous occasion we’ll be holding a housewarming party at our new gaff. More on that later.

Here are just a few of the things we really like about The White Horse:

  • It has a beautiful small back room that will be reserved for our sole use on a Sunday evening: quiet, candle-lit and intimate. 
  • The toilets and main bar area are all outside, minimising noise and other disturbances.
  • Great for public transport, being just off the North Bridge bus routes and minutes away from Waverley train station.
  • The bar’s management is extremely keen to support The Listening Room, Sunday is usually a quiet night for them and they were actively looking for some kind of high quality music event at the point when we approached them.
  • A free drink each for performers! 
  • Locals’ prices for regular performers.
  • It’s in a part of the town that’s known and loved by Edinburgh’s acoustic performers. It’s just up the road from The Kilderkin, home to our good friends Out of the Bedroom, and also just round the corner from their birthplace, The Waverley Bar. You’ll find plenty of other venues nearby playing great acoustic music.

Why have we decided to move home after more than 12 years at The Blue Blazer? It’s been a tough decision to come to but we’re confident this is the right thing to do and the right time for us. Historically, the Blazer was a quiet place on a Sunday night, which worked well for us. Recently though, we’ve found it getting busy with afternoon drinkers - great news of course for the bar, but it’s becoming more and more of a challenge to keep the place quiet enough for a totally unplugged acoustic night.

We’re pleased to report that we’ve parted company with The Blue Blazer on very good terms; this our decision, a pragmatic one, and there is no ill will on either side. We’d like to thank Eddie and his team (and James before him) for looking after us all this time, it’s still one of our favourite pubs and we don’t plan on becoming strangers!

So, please keep Sunday 11th May clear. We really want you to join us for our housewarming celebrations - it’s going to be HUGE. Keep your eyes on our website and usual social media feeds for more info.

Reblogging this in its entirety so you can see what we’ve been working on for the last few months. I’m one of 12 hosts that run this night in Edinburgh and we’re very excited to get things going again on 11th May!

austinkleon:

If you have 40 minutes, my SXSW keynote is up.

My favourite bit is when he talks about ‘human spam’.

sirachi-mariachi:

ttbtdoomtreecitizen:

Atmosphere defending 2 Chainz on the Soundset line-up post on Facebook
Facebook is a cesspool when it comes to comments on posts like this. It’s just terrible. Good on Atmosphere for at least trying to put these people in their place. Respect.

yessss

sirachi-mariachi:

ttbtdoomtreecitizen:

Atmosphere defending 2 Chainz on the Soundset line-up post on Facebook

Facebook is a cesspool when it comes to comments on posts like this. It’s just terrible. Good on Atmosphere for at least trying to put these people in their place. Respect.

yessss

(Source: pleatedjeans)

QuestionHi John, there's a lot of stuff I want to ask you, but I've just had a terrible week of loss and rejection in my "budding art career" and it really sucks and it seems like something you would have a piece of wisdom for. How do you cope with putting your ego and life's work on the line over and over? Answer

johndarnielle:

I tried to answer this a bunch of times but I don’t really know! You hold onto Berryman’s line — “It is idle to reply to critics” — and understand that the actual work isn’t the thing you make, but the process that makes it, whose inherent value and dignity is well beyond any debate, because it is an expression of your self and therefore nobody can really judge it. 

this is an unsatisfying answer, I know, artists have struggled with varying degrees of success over how to deal with these problems forever. the simple terrible platitudes of kindergarten are actually applicable here — the ones that tell you your work is good no matter what anyone thinks of it — but they seldom help much in the short term. in the long term, they do. people didn’t get very excited about Get Lonely when it was new. we were bummed! we felt it was our best work. we thought we’d gone somewhere special, unique in our work, its own place. over time, the people who relate to our impulse on that record have found it and connected with it, and the people who didn’t care for it have stopped thinking about it, because not many people spend a lot of time dwelling on work they didn’t care for.

but as I say this is a question people struggle with, I don’t think there’s a “here’s what you do” answer (and I reject, with thanks, any allegations that I am wise). you keep your focus on the work, I figure. when your focus wanders, you bring it back. 

martwizzle:

Action shot with @dogonaswing from last night @ed_ritchie @whyte @barenakedbear

Glasgow! The aforementioned Matt Atom was playing too. He is (as we’d say in Scots) awfy braw.

  1. Camera: EPSON Stylus NX100
datsroight:

Oh man.

^ Matt Atom last night.

datsroight:

Oh man.

^ Matt Atom last night.

GLASGOW: tonight! (We’re on first)